Brancard

[ … ] Through the artist‘s works, the engine tends towards the fetish. The motor is admired for its visual qualities, its beauty and its strength; like an object of contemplation, a relic or a symbol of the development of a society constantly seeking to surpass itself. […] But these so highly evocative engines can be like a two-edged sword: as useful as dangerous.
Excerpt of Modifier, like you, Boris Magrini